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| Film Terms Glossary | ||
| Cinematic Terms | Definition and Explanation | |
| ellipsis | > | the shortening of the plot duration of a film achieved by deliberately omitting intervals or sections of the narrative story or action; an ellipsis is marked by an editing transition (a fade, dissolve, wipe, jump cut, or change of scene) to omit a period or gap of time from the film's narrative. |
| emcee | > | another term for master of ceremonies |
| enfant terrible | > | literally from the French, meaning "terrible baby" - referring to a brilliant, young, passionate but egotistical, brash director; characteristics of an enfant terrible director include being innovative and unorthodox |
| ensemble (film) | > | a film with a large cast without any true leading roles, and usually with multiple plotlines regarding the characters; it also literally means 'the group of actors (and sometimes directors and designers) who are involved in a film'. |
| epic | > | a costly film made on an unusually large scale or scope of dramatic production, that often portrays a spectacle with historic, ancient world, or biblical significance. |
| epilogue | > | a short, concluding scene in a film in which characters (sometimes older) reflect on the preceding events |
| epiphany | > | a moment of sudden spiritual insight for the protagonist of a film, usually occurs just before or after the climax |
| episode | > | a self-contained segment or part of an anthology film or serial; a number of separate and complete episodes make up an episode film |
| episodic | > | a film that is composed of a series of loosely-related segments, sections, or episodes, with the same character(s) |
| establishing shot | > | usually a long (wide-angle or full) shot at the beginning of a scene (or a sequence) that is intended to show things from a distance (often an aerial shot), and to inform the audience with an overview in order to help identify and orient the locale or time for the scene and action that follows; this kind of shot is usually followed by a more detailed shot that brings characters, objects, or other figures closer; a re-establishing shot repeats an establishing shot near the end of a sequence. |
| exec or exex | > | abbreviations for 'executive' or 'executives' |
| executive producer | > | the person who is responsible for a film's financing, or for arranging the film's production elements (stars, screenwriter, etc.) |
| exhibitor | > | term meaning 'movie theatre owner'; aka known as exhib (shortened term) |
| experimental film | > | refers to a film, usually a low-budget or indie film not oriented toward profit-making, that challenges conventional filmmaking by using camera techniques, imagery, sound, editing, and/or acting in unusual or never-before-seen ways; sometimes aka avante-garde, art films |
| exploitation film | > | a sensational, often trashy B-film aimed at a particular audience and designed to succeed commercially and profitably by appealing to specific psychological traits or needs in that audience without any fuller analysis or exposition; often refers to films with extremely violent or sexual scenes; not necessarily a derogatory term; various types include blaxploitation, sexploitation, splatter films. |
| exposition | > | the conveyance (usually by dialogue or action) of important background information for the events of a story; or the set up of a film's story, including what's at stake for the characters, the initial problem, and other main problems. |
| expressionism (and expressionist) | > | refers to the distortion of reality through lighting, editing, and costumes, to reflect the inner feelings and emotions of the characters and/or the filmmaker; a cinematic style of fantasy film common in post-WWI Germany in the 1920s and 1930s, characterized by dramatic lighting, dark visual images and shadows, grotesque and fantastic shots, distorted sets and angles, heavy makeup, highly stylized acting, and symbolic mime-like action and characters; opposed to realism. |
| extra(s) | > | a person who appears in a movie in a non-specific, non-speaking, unnoticed, or unrecognized character role, such as part of a crowd or background, e.g., a patron in a restaurant, a soldier on a battlefield; usually without any screen credit; also termed atmosphere people; contrast with walk-on and non-speaking role, bit players, or principals; also see cast of thousands |
| eyeline match | > | a cut between two shots that creates the illusion of the character (in the first shot) looking at an object (in the second shot). |
Sumber:Filmsite.org
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